Earlier today, the National Film and Sound Archive of Australia in Canberra officially opened the doors to Game Masters: The Exhibition, a new exhibit that chronicles “an interactive journey through five decades of video game history.” Museumgoers who visit the Game Masters exhibit will be able to view “interviews, never-before-seen concept artwork, [and] an amazing display of vintage consoles and collectable items,” as well as an arcade installation with dozens of games.
Game Masters is an interactive journey through five decades of video game history, offering both a behind-the-scenes look at the creative process behind the world’s most popular characters and franchises, and a chance to play them. Featuring interviews, never-before-seen concept artwork, an amazing display of vintage consoles and collectable items, and 80 playable games, visitors won’t want to leave!
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Game Masters is divided into three sections: Arcade Heroes, Game Changers and Indies. It features unique experiences such as a spectacular multiplayer dance stage for Dance Central 3 (2012), hands-on experiential music booths and a selection of original classic arcade machines from the 1970s and ‘80s acquired especially for the exhibition, all playable in their original form.
The National Film and Sound Archive of Australia will also use this opportunity to begin archiving important games developed within Australia. The first eight games selected by the program include a nice variety of titles released over the last 37 years:
Initial List of Games Selected for Preservation by the National Film and Sound Archive of Australia
- The Hobbit (Beam Software, 1982)
- Halloween Harry (Interactive Binary Illusions / Sub Zero Software, 1985/1993)
- Shadowrun (Beam Software, 1993)
- L.A. Noire (Team Bondi, 2011)
- Submerged (Uppercut Games, 2015)
- Hollow Knight (Team Cherry, 2017)
- Florence (Mountains, 2018)
- Espire 1: VR Operative (Digital Lode, 2019)
More games will be added to the archive on an ongoing basis, and Game Masters: The Exhibition will remain open to the public through March 9, 2020.
As a former video producer for IGN and Kinda Funny, 
Kyle Orland is a veteran game journalist who has also been writing about what it means to be a good game journalist for over 20 years. He recently collected many of those columns in The Game Beat: Observations and Lessons from Two Decades Writing About Games, and it’s now being published in hardcover and paperback from Carnegie Mellon’s 
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